Showing posts with label Oregon. Show all posts
Showing posts with label Oregon. Show all posts

Friday, February 28, 2014

A Week in the Life of a Middle-Aged Portland Oregon Surfer





Monday, 7:30 a.m.
I’m tired, probably feeling a wee bit of the after-effects (not gonna call it a hangover) of drinking too much over the weekend (again.) I surfed Saturday though. Still riding a bit of that stoke. I can still feel that second-to-last wave that really got my juices flowing. I replay it in my head over and over and over. I should have pulled a harder cut back though- screw my back.

 I also should have gone for that wave that looked like it had just a bit too much vert on the face. It didn't even close out! Don’t be such a wuss next time!

I’m checking the forecasts for later in the week. Too early to know for sure what it’s going to really be like.


Tuesday, 3:15 p.m.
Ahhhhhh it’s only freaking Tuesday! I’ve spent way too much time on Surfline today. The stoke is pretty much worn off. Friday is looking good I think. Why am I on Craigslist looking at surfboards again? I just bought yet another board that will have to be hidden in my garage until who-knows-when.

Wednesday, 10:45 a.m.
Dammit, dammit dammit! Perfect conditions at the Cove! Dammit! I could skip out of work early, make the 1.375 hour drive to the coast and get a solid hour+ of surf in before it’s pitch black out. Dammit! Kid has soccer practice tonight though! Dammit!

Thursday, 2:15 p.m.
Okay, Friday is looking okay, and it’s my regular rotating Friday off. Cove looks good, Shorties looks fair. Okay, on the road by 6:30, in the water by 8:15. But wait, crap, surf-forecast.com is showing a short period swell now and wind out of the north. What the hell?!? Swellinfo is showing all green and wind out of the east. Mixed swell? Dammit! Should I make the drive? Dammit!! I hate these stupid forecast sites!

Friday, 4:45 a.m.
Too dark to see anything on the webcam at the Cove. No matter. I bet everything is blown out. Wind switched onshore. I hate you all.

Friday , 6:30 a.m.
Okay- I can kinda see something on the webcam. Looks like crap at the Cove but maybe Shorties is okay? My surf buddy is texting: “what do you think?”

Friday, 6:35 a.m.
Forget it.

Friday, 8:15 a.m.
Surf buddy text: “Let’s go to P.C. It looks clean!” Too late. Wife is awake and I’m put on lockdown for household assignments. Dammit!! But wait… Saturday is looking good.

Saturday, 6:00 a.m.
Loading the truck, caffeine flowing, double-checking gear (yeah I should go ahead and bring 3 leashes… you never know.) Do I pack the 8’4” just in case? It’s supposed to be 5-7’ but the tide is high. No, because then I’ll have to leave it in the back of the truck if I don’t use it. Okay- 7’3” speed egg then. No, wait, maybe the 7’8”. Should I try the 6’4”? I’m getting too fat to ride that thing anymore. Dammit! I need to roll.

Saturday, 6:04 a.m.
I’m on the road- I’ll be in the water by 7:45 at the latest. Metallica!!

Saturday, 6:08 a.m.
Dammit!!! I left my booties in the garage!

Saturday, 6:10 a.m.
Okay- no worries, back on the road, cranking Queens of the Stone Age! Yes! 

I get ready to merge onto highway 217. Yeah gas station guy- that is a surfboard sticking out the back of my truck! Don’t be all jealous! In the water no later than 8:00!

Saturday, 7:45 a.m.
Well, the Cove looks decent. Yup, screw it. Not going anywhere else. But damn, that wind is picking up a bit…

Saturday, 11:50 a.m.
I scramble over the rocks back to my truck. I need to have a serious conversation with my wife about moving to the coast. I could telecommute. I’m sure my boss would be cool with that. I wonder what time my wife works tomorrow? I could leave super early and be back home by 10:00. Ooooohhhhh look! That house has a for sale sign on it! I wonder if any new boards are on the shelf at Seaside surf?  Maybe I’ll swing in and browse a bit.

Saturday, 1:15 p.m.
Text from wife: “Where R U!?”

Sunday, 12:30 a.m.
(Sipping a beer I don’t really need) I wonder what kind of jobs they have for Americans in Nicaragua?

Monday, November 25, 2013

Shark!



So there was a shark attack last week not too far from where I surf. The guy got away without any injuries though—the big lug just gave his board a little taste-test. I’m sure there’s a wetsuit that got a thorough cleaning this weekend, and for the record, the guy was an out-of-towner. Maybe it was a local shark just keeping the line-up in order.

All joking aside, it keeps you on alert the next time you paddle out after hearing about this sort of thing. That odd swooshing of water a few yards off or the shadow that may or may not have just passed under your board...? You can’t let your imagination run wild but occasionally it does. The worst (or best?) part of it is there isn’t going to be any of that cinematic fin-rushing-up-from-afar crap if a great white does decide to go after you. I’m sure most surfers that have been attacked never even saw it coming. Great whites attack from underneath and it’s usually a case of mistaken identity. Of course that’s no consolation if Jaws takes a bite out of your thigh.

Seals and sea lions are usually on the menu, and incidentally, there’s a seal that frequents my regular break. Whenever I see the doe-eyed little guy it immediately gets my hackles up, especially when he’s closer to the beach than I am: it’s like, does he know something I don’t?
 
I honestly don’t believe surfing is inherently dangerous. I mean, of course there’s risk involved, but like any sport (and I hate to call surfing a sport) there is definitely a potential for injury. Yet most competent surfers know if conditions are beyond their ability. Sure, accidents happen, but by the numbers, the sheer amount of surfers in the water around the world at any given time compared to the amount of drowning reported, shark attacks, and other potentially-fatal incidents associated with the activity are relatively low.

 And I actually read somewhere that more people get attacked by cows each year than by sharks. 

Of course it’s probably a bit more frightening to have Jaws barreling up underneath you than Lulu the cow giving you a swift kick to the backside. Or whatever it is a cow does when it attacks.

At the end of the day, even though the linked incident took place just miles down the coast from where I usually surf, it won’t keep me from the water. I may pay a bit closer attention to that seal though. If he’s paddling in, I might think about doing the same.

Tuesday, August 27, 2013

Summer is Nearly Over


Our fleeting Oregon summer is coming to a close, and as the collective month of Octembruary closes in with its months of rain and gloom, like any veteran NW resident, I’m cramming as much outdoor activity into the few sunny days we have left as possible.

Some great surfing filled up most of the last weeks of August. A couple of days found me in 5’+ waves at two of my regular spots on the northern Oregon coast. A spot that will remain unnamed was spitting barrels when the SW and W swell and wind mixed up just right. Short Sands was decent the following day and I even found an unknown-to-me break in an area south of there that was throwing out clean, 2-3’ rights for myself and the 4 other surfers in the water later that week. It was definitely a local crowd but I was tolerated; a far cry from what the scenario would have been had I discovered some unknown or overlooked break in California.

It’s hard to believe that I’ve only been surfing again for a few months. My entire psyche has shifted. Saltwater on the brain perhaps, but aside from keeping my day-to-day life in order, paying bills, busting my ass at work, and taking care of the family, I can't think about much more than when I'll paddle out again. All future trips and plans always include at least a passing thought: “will I be able to surf?” 

Luckily my wife is very understanding of my rediscovered passion. She grew up in a surf town and, although she rolls her eyes as I wax poetic of my last ride or scoffs at my attempts to coordinate a sitter for the kids because (fill in the blank spot) "is going off," well, she gets it.

Yes, summer is coming to a close. Yet I look forward to what autumn will bring to the Oregon coast. Bigger waves I hear. 

Tuesday, July 23, 2013

Ten Shows: Part V

Holy-long-gap-between-posts, Batman! I'll try not to let it happen again. Well, here's the 2nd-to-last post for the Top 10 shows I've attended series. This went on way longer and is much more verbose than I intended. I should have taken Faulkner's advice. Oh well...
Next post: THE BEST SHOW EVER.
Enjoy

Phish, Irvine Meadows Amphitheater, Irvine, CA 9-19-1999
As I’ve stated in a previous blog, I never quite got the whole anti-Phish sentiment that a lot of Deadheads maintain. It’s funny, because from an outside perspective, had you walked the parking lot of a Dead show in the early-mid 1990’s or a Phish show from 1995-on, well, you probably wouldn’t be able to tell the difference between the two as far as the look and feel goes. Many Phish fans branched off and dropped the Dead scene due to the overwhelming popularity of the Grateful Dead and the massiveness of their shows. Phish was more intimate and was still the fans band in a way.
That all changed. Even more so after the Grateful Dead was no more.
Although I’ve never researched any exact numbers (nor do I plan to,) there was a huge spike in Phish show attendance after Garcia’s death and the demise of the Dead: this likely led to some of the conflict. I’m sure the “old-school” Phish fans resented the influx of Deadheads. The first time I saw Phish I recall a couple of hippies arguing over who was the bigger fan.
“Well I saw them back in ninety-four at” such-and-such venue.
“Yeah, well, I was going to shows in ninety-three…”
Ridiculous, really, but that’s not what this post is about.
I saw Phish for the first time in the summer of 1999. My wife and I had been anticipating the show for some time—we had been going to as many of the post-Jerry incarnations of the Dead as we could manage yet were ready to experience something new. I had a grasp on their repertoire by then as I had collected a fair amount of bootleg shows in addition to their studio releases. Like the Grateful Dead and many other jam bands, Phish allowed taping at their concerts so long as they were not used for commercial profit.
Irvine Meadows was a short distance from where we were living at the time. As we tooled south on the 405, the freeway became thick with vehicles sporting the “Phish” emblem. The logo was a clever take on their name designed in such a way it resembled the outline of an actual fish:
                                                                           
As we approached the exit for the amphitheater and made for the parking area I noticed no discernible difference between this lot-scene and that of a Dead show.  Drum circles were pounding away, every 10th head was a mop of dreads, marijuana smoke wafted about, mixing in with sage, patchouli, and grilled cheese. Vehicles ranged from wildly painted school buses to brand-new SUVs. Everywhere you looked were hippies on skateboards and bikes, college kids partying, and the occasional dog wandering that may have been named Cassidy or Althea (or Trey?)  It really was just like a Dead show.
 Yet upon settling in and walking the lot for a bit the differences became more apparent. The crowd was generally much younger; not as many crusty hippies left over from the 60’s lurked about. The general mood of the fans wasn’t quite as “peace, love, and happiness” either. Being as how Phish first gained traction close to their roots in Vermont, a large contingent of their fan base was East Coast. And with that came a more stand-offish attitude. I’d come to find out (or heard) that East-coast Phish fans selling stuff in the lot were much more apt to rip you off.
Regardless, the general mood was still festive—generous amounts of drugs and alcohol changed hands and everyone was partying. We got primed for a couple of hours and filtered into the amphitheater to find our seats, stage right, just a section or two in front of the general admission lawn. The sun was disappearing behind the hills to our back as the venue lights came up and then dimmed again. The sell-out crowd was building with an intense anticipation I hadn’t experienced since seeing the Dead for the last time almost 5 years previous. As Trey and the band stepped out, the crowd absolutely erupted and was sent into a frenzy of whirling, wild dancing as the band opened with the song NICU.
As the late summer California day fell dark, a strange thing happened. The band launched into the 3rd song, an instrumental called First Tube, which has an awesomely complicated polyrhythmic structure to it. At the same time a car dealership down the hill and across the freeway lit up their huge spotlights to attract would-be buyers to their lot. The spotlights shifted across the sky and fell into rhythm (a polyrhythm mind you) with the song. It was as if the entire city, as well as the venue, was pulsating and became one with the band—the energy surged and suddenly everything in our extended space was absolutely electric and alive and was in tune and rhythm with the music.
A hippie to my right turned and said:
“Can you feel it, man? Can you feel it?”
Yes, as a matter of fact I could.
The band played on for two sets and an encore which totaled over two hours of music. As the band built into an intense jam during the second set droves of fans began twirling glow necklaces and bracelets—the kind you get at the fair or around Halloween. As the song reached its zenith, the band and crowd entwined in a rapid crescendo, everyone began throwing the glowing jewelry, the stadium exploding into a psychedelic glow-stick battle that continued for most of the rest of the concert.  The band truly played to the crowd and the crowd to the band. There was a oneness at that show that was unlike anything I’d experienced before.
I understood then why so many Deadheads jumped ship for Phish. Being a Phish fan in the 90’s could be likened to seeing the Dead in the 70’s. You were a part of an exclusive subculture that was still somewhat new and unique that the world hadn’t yet fully discovered or understood.
I was absolutely enthralled with Phish after that show and saw them several more times through the years, including a recent solo show by Trey Anastasio here in Portland (which almost made this list actually.) Phish is a fantastically talented band, and although I never grew to love them as much as the Dead, they are among one of my favorite bands and are one of the torchbearers from that fire on the mountain the Grateful Dead ignited so long ago.

Wilco, Les Schwab Amphitheater, Bend, OR 8/23/2008
Someone burned me a couple of Wilco CDs back in 2001 or 2002. I gave them each a partial listen without too much interest and they were shuffled into my CD collection, perhaps never to see the laser on my CD player again. It doesn’t surprise me, really. I was pretty snobbish about what I listened to then. The reasons are ridiculous in hindsight—I was very centric to jam bands then and was trying to make it as a musician myself. For a time I was fairly narrow-minded music-wise, listening only to those I wanted to emulate.
I came to my senses eventually—I should have much sooner, especially in regards to Wilco.
It wasn’t until 2005 that I realized what a great band Wilco is. A friend I worked with at the time mentioned them once. I recall telling him I had a few CDs. He asked if I had heard their live stuff. No, I hadn’t. Well, they are all about their live stuff.
And that’s when I got Wilco—after listening to Kicking Television, a live recording they did at the Fox Theater in Chicago.
I hadn’t had an album grab me like that since listening to American Beauty and Wake of the Flood by you-know-who. I was a Wilco fan overnight. I found my copies of Yankee Hotel Foxtrot and A Ghost is Born. The albums lay dormant under a stack of garage demos by bands you’ve never heard of like Television Child and 2 Tone Turtle. Within a month I had bought just about everything in Wilco’s small catalog and soon discovered they allowed taping at their shows—just like the jam bands—and  that there was a fair amount of bootleg material out there for free trading on music swapping sites.
My first opportunity to see Wilco got nixed. They played McMenamin’s Edgefield just outside of Portland in the summer of 2007, and due to a last minute babysitting debacle we had to cancel. The following summer they came to Bend, Oregon and with a bit more planning time ahead of us we were able to go. We arrived in Bend just in time to have a late lunch and catch Wilco’s sound check from the patio of the hotel restaurant. In fact, after checking in, we realized we wouldn’t have needed tickets at all. Our balcony looked directly over the amphitheater, and was likely a better seat than some of the concerts I’d been to with nosebleed tickets.
But of course we were going to be on the grass for this show. We got to the amphitheater just as the opener— Fleet Foxes—came on stage. We found a clear spot on the field just to the left of the soundboard. The day was warm, the crowd mellow, and the booze cheap. In fact, they sold wine by the bottle. Ah yes… by the bottle.
Wilco fans are not hippies, nor are they hipsters. They seemed to be just an average lot of late 20 through 40-somethings. There were lots of families but it didn’t have that Oregon Zoo Concert Series feel to it where you expect the Wiggles to come on stage instead of Matisyahu.
Wilco’s heart and soul, Jeff Tweedy, engages, occasionally teases, and even taunts audience members—especially if they are drunk. He’s a very interactive performer yet is sometimes moody and even gets surly on occasion. That night he commented on the amount of marijuana smoke wafting his way “oh yea… we’re in Oregon.” Cranking out tunes that lay somewhere between Americana, alternative, and a bit of psychedelia, Wilco’s sound is unique—it has elements of pop without being shallow or trite—the songs are well-crafted and engaging yet not overly preachy on any particular subject. Tweedy writes about life—simple things that catch his attention or musings on relationships or his kids.
Wilco pays homage to their forbears without sounding like someone else’s song.
That night we danced and drank and sang along and laughed and had the most fun we had had in years—period. Wilco rolled through their repertoire, 2 sets and an encore that included members of the Fleet Foxes coming out to do a cover of Dylan’s I Shall Be Released, Tweedy even indulging in a falsetto for the last verse.
As the concert wrapped we stumbled back towards the hotel and collapsed under a tree for a time as one of our friends went shopping for a concert shirt near the exit. The night was warm; my head buzzed from the music and wine. The crowd hummed and laughed and chatted as they went their respective ways.
Wilco is just a damn good band.  They write great songs, put on an entertaining and energetic concert, and I really believe I caught that first show at an opportune time in my life. I was a fairly new parent and had moved well beyond the desire to follow bands up and down the state or across the country. I was becoming much more grounded in many ways. I finished college just a week previous (I didn’t start until I was 28) and was ramping up for a new career and essentially, a new life. I was in a good place that summer weekend, and Wilco provided a proper soundtrack to what was really a turning point in my life.

Sunday, June 23, 2013

Ten Shows: Part II

Part II in a, I don't know, maybe 5 or 6 part blog post...? To read the original post, look over to the right over there- yeah, right there. The one that says "Ten Shows: Part I"


The Dead Weather, Crystal Ballroom, Portland, OR         7/24/2010
No, this isn’t some Grateful Dead tribute band; it’s a Jack White band. Jack White usually plays guitar. Jack White plays drums in the Dead Weather. Jack White is fucking awesome.
I just knew this show was going to be good. First off, it was at the Crystal Ballroom in downtown Portland, a beautifully reappointed dance hall replete with massive springs supporting the vast wooden floor (you can see the springs from the bar, Ringler’s, situated directly downstairs.) The floor gives slightly as you walk about the place, an odd sensation for a seemingly sound construction. If a crowd gets especially frenzied during a performance the entire place will bounce dramatically, creating an almost single entity of the audience as the crowd rolls and bounces on the mechanically enhanced floor.  Supposedly it’s the only one of its kind in the entire country.
A mediocre opener warmed the crowd up for entirely too long, and as the house lights dimmed following an even longer intermission, the crowd was eager, stomping and cheering in attempt to lull White from whatever backstage activities he was engaged.
The Dead Weather put on a show that epitomizes what a rock and roll concert is all about. Cranking out a fiery, nearly 2 hour set that failed to let up, the audience almost struggled to keep pace. It didn’t matter that I barely knew the material—I had picked up their 2nd album, Sea of Cowards, just a week prior. It was rock and roll, and yes, I liked it. Alison Mosshart , The Dead Weather’s front-woman, aroused  the black-clad, rock star swagger of any number of her forbears. She evoked the ghosts of Morrison and Joplin as she belted out song after song with a casual, confident intensity. She cussed, she drank, she smoked, and she even spat on the stage! Wow! The way she strutted about with that microphone in hand… I think I was in love.
Jack left his perch behind the drums late in the show, the band rotating instruments thus bringing him up on guitar, much to the squealing delight of the audience. Have I mentioned Jack White is fucking awesome? Like some freak birth spawned from a coupling of Hendrix and Page, Jack White truly makes it looks easy, pounding out a dirty, bluesy racket that sounds familiar yet innovative all in the same riff. The intensity built exponentially as White brought the show its climax, a blur of sweat and wound-nickel glimmering off the body of his dime-store guitar.  I swear there were vapor trails on stage as the set wrapped up, my ears ringing in painful delight.
I stirred late the following morning, and after a cup of coffee made my way to my downstairs office and read the morning paper. I gazed upon my gloss-black Gibson Les Paul Studio, admiring its lines for a moment before lifting it from its perch upon the basement wall. I didn’t play it, but rather returned it to its hangar and went about my day.
Because really, after hearing Jack White play live, what’s the point?



The Doors of the 21st Century, Kodak Theatre, Hollywood, CA   12/31/2003
It had become a sort of tradition in the late 90’s-early 2000’s for my wife and I—and whatever friends were game— to head to the Bay area for New Year’s Eve. It was always centered on catching some incarnation of the former members of the Grateful Dead at places like The Warfield or the Henry J. Kaiser arena. When I saw that Ray Manzarek and Robby Krieger were doing a sort of Doors reincarnation/tribute for New Year’s with none other than Ian Astbury of The Cult on vocals, well, shit, how could we miss an opportunity like that?
Plus the show was in Hollywood—a mere 20-30 minute drive (depending on traffic of course) from behind The Orange Curtain.
Thus we decided to celebrate that New Year in true L.A. style, reserving a decadent room at the Renaissance Hotel adjacent to the Kodak (now Dolby) theatre in downtown Hollywood. It’s that little place where they do the Academy Awards and whatnot. Of course dropping my ’97 Civic with a valet in front of one of the more posh hotels in Hollywood was a bit… humiliating, but I guess in a town as fake as L.A., really, who gives a crap?
After some pre-game drinks in the lobby and a stroll around the Hollywood and Highland Center we headed to the show. The Kodak is a fabulous (and I mean fabulous) theatre; television doesn’t do it justice. The architecture, appointments, and layout of the place make for a great concert experience and there’s literally not a bad seat in the house.  Even in the cheap seats up near the rafters and belfry the sound and view is great.
Opening with a somewhat-lazy version of Peace Frog, the Doors of the 21st Century tore through a respectably long set of the band’s classics, even playing the album L.A. Woman from top to bottom, which comprised over 1/3 of the show. Ian Astbury did his best to evoke the Lizard King that night, taunting the audience at times (“C’mon L.A.! This is your band!”) to discussing drugs (“More cocaine for the gentleman in the front row!”) to outright vulgar tirades which included replacing a key word in a line from Backdoor Man with an intimate part of the female anatomy. It went something like:  I’ll eat more (fill in the blank) any man ever seen!” Because, you know, he’s a backdoor man.
At times Ian tried just a little too hard, blowing out his voice and rasping through a good portion of the set. Regardless, they brought down the house in epic style, ringing in 2004 and what ended up being our last year in California. Too many Heinekens later I was more than happy to have dropped such a fair sum of money on the hotel next door.
I was saddened to learn of Ray Manzarek’s passing just a few weeks ago.  But you know what they say about rock n’ roll heaven: they have a hell of a band.

Tuesday, June 4, 2013

Stoked

I thought I had dreamed the banana-yellow single-fin-behemoth of a surfboard lying in the middle of my bedroom floor. My dad was in the dream, still in his sheriff’s uniform, shaking me and saying something about learning to surf. A strange dream I thought, drifting back into lurid, early-adolescent male fantasies. Yet when I awoke, there in fact was a single-fin swallow-tail surfboard, probably 8’ or so, laying deck-down next to my bed. I rolled out to examine it, rubbing my eyes while wondering what had possessed my dad to bring home such a thing. He had talked about surfing before but I never thought he would actually buy a board. I admired its lines and turned it over. I could barely lift it.
The town I grew up in, Hemet, was 60 miles from the nearest beach on the Southern California coast. Hemet was just far enough to make daily surfing nearly impossible, but close enough, that with some motivation and dedication, I could get out and learn whenever my mom or dad could haul me and my sister or friends to the beach. My dad had originally hoped to learn as well, yet after a few disastrous attempts that included a near-concussion, he left the surfing to me.
Like any kook kid starting out, I floundered about in the beach-break for months and months, riding walls of foam, getting an occasional reform on the inside that would, much to my surprise, suddenly have me shooting down a glassy face, the sluicing of the break at my heels and the soft, distinctive slapping and slicing of fiberglass against a curling wave ahead.
There was nothing like it. At 12 years old, surfing became a part of who I was.
                It was hard to get really good, surfing weekends and occasional weekdays in the summer and far less in the winter. There were trips to Mexico with my mom and sister after my parents split up, but mainly I surfed the beaches of San Diego County around Oceanside, Encinitas, and Leucadia, with occasional forays into Orange and L.A. counties.  By the time I was in high school I was a competent surfer… that is I could paddle to the outside fairly easily, my timing improved and I knew where and how to paddle into and even catch waves. By then I was primarily riding a Midget Smith 6’2” thruster that had replaced the banana-boat as well as an 8’2” Becker pin-tail egg that my step-mom gave me. I certainly wasn’t great, and I paddled after far many more waves than I caught. But when I did manage to pop up and carve down the face of a peeling break, the rush and excitement and sense of luck was like getting a girl’s shirt off as a teenager for the first time. In retrospect, I’m sure I caught more waves as a teen.
Yet even when I did get up, a fair amount of the time I would wipe out ½ way through my bottom turn. Of those times I successfully made that bottom turn and carved my way back into a wave that didn’t close out, pitch me off into the washing machine or otherwise peter-out, well, those were the endorphin releasing moments that elevated surfing beyond any casual hobby or sport. I understood what being “stoked” really meant. Hours and sometimes days after a good session or even just a good ride I would step just a bit lighter, my state of being floating in some Zen-like cloud of existence.
Spring turned to summer turned to fall in 1993. I was out of high school and navigating my way through a stint in the military. I spent most of the winter of 93-94 in Tennessee yet ended up in San Diego by February where I had a decent beach-break on Naval Station North Island essentially to myself. Point Loma did its best to block any west swells but a south would churn up nice sets on the military installation that would be mine alone to ride.
Later that year, in the fall of ‘94, I was transferred to Japan. I didn’t surf for a couple of years- the longest gap since I started at 12 years old. Full steam ahead in any one of the 7 seas I would sit on the port-quarter of the aircraft carrier I was based on and imagine towing into the massive wake left by the ship. A 9’0” or better would have been sufficient- hell, I had ridden smaller, sloppier surf on the Becker back in California. I imagined carving the frothy peak, following the ship for miles as it launched jets and recovered helicopters.
A friend in my squadron picked up a brand-new 5’11” pin-tail thruster when we ported in Perth, Australia in 1997. When we got back to Japan we paddled out at Enoshima, a decent break just south of Tokyo. I took my girlfriend’s sponge out, but my friend, Kenny, found the thruster too light and squirrely for him. I paddled out and had more luck with it and soon found myself catching the train from my base to the coast whenever I could skate out of work, Kenny’s board under my arm. The years of not being in the water and the hard-partying in the Navy left me soft. Just paddling out was exhausting, but within a few weeks of going regularly I got competent again. Just in time to get out of the military and move back to California: Huntington Beach specifically.
I ended up a 3 minute bike ride to Huntington Pier for a few years, renting a place on Huntington Street in the heart of Surf City. I started paddling out daily and began gravitating towards the Becker. The more I watched the innumerable longboarders that surfed HB the more I wanted to get my toes on the nose and, well, catch more waves. Let’s face it, the inconsistency of the sand-bottom break at the pier meant more waves with a longboard—much to the absolute enragement of the shortboarders. Challenges such as “I’m going to shove that tongue-depressor up your ass!” were common as longboaders were able to sit a bit further outside and pick-off the choice waves.
Not one to be discouraged by such hyperbole, I picked up a used 9’0” triple-stringer with a 2+1 fin set-up. I fought my way into the line-up and, although I always despised localism, was none-the-less eventually accepted as one due to the sheer fact that I was surfing the pier every day and pretty much lived in downtown.
It was around this time—at 23 years old in 1998—that I got good. Really good. I took to surfing a longboard like I never had on a shortboard. Something about the ease of catching the smallest, crappiest of waves and being able to deftly step foot-over-foot up the board, kicking up spray as I moved one, and eventually two of my size-twelve feet within millimeters of the nose. The thruster design allowed me plenty of maneuverability: it was a snappy, reactive board that I began riding exclusively for the years I lived in HB. Other than an occasional trip to Trestles, The Cliffs off Goldenwest or Bolsa Chica, I was a fixture at the pier. Longboarding suited me.
 Unfortunately my days of daily surfing were limited. Job, housing, and the life-situation as it were found me buying a place in Costa Mesa  just after the close of the 20th Century. I was close enough to the ocean to still surf daily but rather than hop on my bike I had to drive, park, etc, and some of the allure wore away. Unfortunately, I fell out of love with surfing. I chased my dream of being a rock star for a while and then went to college. In early 2005, I moved to Portland, Oregon.
There was a time when my life revolved around surfing- if I missed a day or two in the water I felt like a slug. The perpetual stoke would wear off after 3 days, and after a week out of the water, hell, I wouldn’t even consider myself a surfer anymore. I can distinctly remember my last proper ride in California. It was a left—the wave probably 4-5 ft. I was so wiped from paddling I took the wave in after only having been in the water 30 minutes or so. I didn’t catch another wave for over 5 years.
With a heavy heart, in February of 2005, I sold the Becker and the 9’0” to my neighbor in Costa Mesa as we packed the last of our belongings and headed to the Pacific Northwest. I wanted to keep the boards for sentimental reasons I suppose since I had no inkling that surfing would ever be in my life again. Alas, they wouldn’t fit in the moving truck.
I dreamed about surfing regularly; I would wake up almost feeling stoked. I would catch mythical breaks on fantastic beaches or struggle in storm swells on some imaginary coast. Anytime I found myself at the Oregon coast I would size up the break, daydreaming of how I would paddle into a wave. Right there- paddle,paddle- BOOM! I would imagine my bottom turn, pulling a floater, noseriding…
In 2008 I got back in the water. But it wasn’t Oregon. While stationed in Japan I met my future wife, and we visited her family with our 2-year-old son in the late summer of 2008. Coincidentally, my wife’s hometown is home to some of the best breaks in Japan- Shirahama near the town of Shimoda being one of them. My wife never surfed but was a surf-groupie of sorts growing up. She knew where all the breaks were and still had local connections—enough so to get me hooked up with an 8’0” single-fin egg for a day. I floundered. Paddling out wasn’t much of a problem- the surf was small and clean and the water bath-tub warm, yet my timing was off and my arms turned to noodles every time I managed to get in the sweet spot with enough forward momentum to catch a wave.  Rather than popping up I did old-man pushups as I slid down the face, pearl-diving more often than actually standing up.
I could say I caught 3 waves total that day. My balance was terrible. I didn’t so much as carve as cartwheeled my arms to keep balance as I haplessly plowed down the face of several semi-clean 3-footers. Being so out of shape it took me 3 times as long to paddle out as it did back in my glory days. After an hour of pummeling I was done.  I had been too long from the water. Regardless, as I dragged the board in from the ocean my face was fixed in a permanent grin. I certainly hadn’t killed it, but I had surfed again.
Fast-forward 5 more years. Again, I was beyond soft. I had put on 15 lbs at least. I was out of shape and had made a few feeble attempts to run, bike and otherwise get myself back into some semblance of shape through the years. And through it all, the dream of surfing again wouldn’t quite leave me. I was a few years from 40 when I finally got real with myself and made some serious lifestyle changes. I quit the nightly microbrews. I started training for 5ks (which, due to numerous knee and ankle injuries, I never quite managed to compete.) I biked almost daily and started doing serious core workouts. I changed my tune and started feeling the best physically I had felt in a long time.
It was around February of 2013 that I decided—I am going to start surfing again.
The weather was great for early May in Oregon, with temperatures in the 80’s in Portland and 70’s at the coast. We got a surprise taste of summer at a time of year when it was rare for a sunbreak or 70 degree day to roll in. I was shopping for a board daily, perusing Craigslist as well as the used inventory at the only surf shop in Portland. I made an offer on a 9’6” that was on consignment there but never heard back.
The next day I found it. The day before dragging my suburban brood to Seaside, Oregon for a quick overnighter. I found an ad online that read something like:
“surf board. 8’4” one small ding on the underside. $250”
Seemed like a decent deal—8’4” was a little smaller than I was looking for, but I when I opened the first picture online, I realized this guy had no idea what he had. It was a Robert August mini-longboard, epoxy resin, laid with balsa veneer. Aside from a garage-rash ding on the left rail, the board was in amazing shape. I later found the exact model for sale online in L.A. for $900. I emailed the guy immediately, and as the stars aligned, the next day the board (including a nice FCS board bag) was strapped to the roof rack of my urban attack vehicle (a Subaru Forester,) cruising out highway 26 towards the Pacific.
Looking out over Indian Beach in Ecola State Park I got that familiar tingle. There was a bit of an onshore breeze; the waves 2’-3’ and somewhat choppy. It looked ride-able at worst, with a few clean rights forming up that would amount to a good 10-second ride. With no booties, no gloves, and no hood, I paddled out wearing only my worn and torn 3 mm Victory fullsuit. The water may have been 52 degrees- it took my breath away as a plunged in and paddled for the nearest rip to help pull me out.
I fared much better than my last outing in 2008. Perhaps being in shape helped.  Even with the rough, choppy mess on the inside paddling out wasn’t much of a struggle.  The lineup was sparse, and there were more kook-newbies flailing about on the inside than there were guys actually beyond the break, waiting patiently for a well-formed swell to roll in and send them on a 5-15 second joyride. Just sitting on my board in Oregon’s stretch of the Pacific was an experience all its own. The frigid, emerald-green water so different from California—foreboding and commanding respect as it crashed along the rocky shore to the north.
I paddled after my first wave. It failed to materialize. I had forgotten how deceiving a swell could be—one moment you could swear a peak was about to spill over 20 or 30 yards further outside, yet as soon as you started to charge out, it might roll past you, breaking another 50 feet closer in to the shore.  I sat for a spell as the faux-wave rolled under me and turned to watch the shore—the protected cove limited the amount of cross-current that might pull you north or south parallel to the shore. I went after a few more waves until I finally found the sweet spot—I paddled hard, and soon felt the power of the wave take the board, my arms free to push myself up. I didn’t so much as pop up as struggle, but got up I did, taking a right as the much-faster-and-reactive-than I expected mini-longboard hurled me down the clean face of a 2’ wave.
It was a short ride. But it was a ride. As the wave closed out I managed to snap the board to the left and stepped off with a bit of finesse. I plunged headfirst into the water just ahead of the whitewash, much as I had in my more “talented” days, ending the ride with an “I meant to do that” finish.  Emerging from the foam with a gasp, I jerked my board back with a tug of my leash, snapped it around and under me and charged back towards the outside. I lasted an hour or more in the water this time, and finally, my arms burning, my feet numb and my teeth chattering, I rode in and walked up the beach, my face beaming and my soul alight. I was stoked.